I was born in Newcastle, raised in South Shields and now living in Darlington. I love to draw the industrial and urban landscape of the North embedded in some of the best countryside in England.
I am a trained architectural technician. I use my understanding of how buildings work and construction drawing techniques to inform my work in the urban environment.
I strongly believe in leaving space in a painting. I find drawing every leaf on every tree or even, every tree isn’t necessary, it’s not about documenting everything in front of you. I like to give the viewer the opportunity to fill in the blanks for themselves and engage with the painting.
For prep sketches I use a Moleskine watercolour sketchbook, my favourite Kaweco Sports fountain pen with Kaweco water soluble inks in various colours, supported by a small travel palette of a dozen Daniel Smith artist quality half pans.
For finished pieces I use 0.05, 0.1, 0.5 & 0.8mm Uni Pin fineliners and other pens such as Uni Posca markers, a Sailor Fude 55, Pilot Parallel pens and the ubiquitous Lamy Safari.
I use Daniel Smith artist quality tube watercolours and a beautiful Kremer Pigments palette of 14 monochrome colours ranging from Titanium White to Furnace Black.
My paper of choice is Saunders Waterford 140lb Rough. However, for my Landscape Artist of the Year piece at Loch Fyne, I used a sheet of Arches 300lb Rough, which I use every now and then.
I’m not very precious about brushes which, I know, will horrify most artists. However, I was kindly given a set of Cass Art sable brushes at Loch Fyne. I’ve been using them ever since and they are great.
In addition to my urban and landscape drawing and painting I have also branched out in to portrait painting and reduction lino cut printing. The lino cut printing is embryonic but you can see the early results on my “Prints” page. I’ve created a new page for Portraits.